SCHEDULES:

MANILA:

Batch 1- May 4-May 29, 2026

Batch 2- August 3-August 28, 2026

Batch 3- November 9-December 4, 2026

Limited to 10 students per batch

Venue: Galvez Atelier, #133 Scout de Guia, Brgy. Sacred Heart, Quezon City

This intensive program provides a rigorous introduction to the essential disciplines of drawing and painting. Designed for both beginning and continuing students, the workshop emphasizes analytical observation, structured process, and the development of visual intelligence through classical foundations.

DRAWING FOUNDATIONS

This stage introduces the fundamental principles of classical draftsmanship. Students examine the role of line, proportion, and the abstraction of shapes in constructing coherent form. Through exercises in tonal analysis, texture implication, and light–shadow organization, learners develop a disciplined approach to observation. Emphasis is placed on understanding how individual parts relate to the whole, enabling the formation of unified and structurally sound drawings.

LIFE DRAWING

Building on foundational skills, the intermediate phase focuses on live drawing, including portrait and figure studies. Students investigate three-dimensional structure, gesture, balance, and spatial relationships through direct observation. Instruction includes anatomical landmarks, proportional blocking, tonal hierarchy, and strategies for capturing likeness. This stage advances the student’s capacity to interpret form in space and cultivate refined visual judgment.

TRADITIONAL OIL PAINTING

The painting component introduces students to the principles and procedures of oil painting as practiced within the classical tradition. Instruction covers the logic of tonal structure, color organization, and the sequential development of layered imagery.

Students begin with limited-palette exercises to strengthen their understanding of color temperature, chromatic grouping, tonal value, and compositional balance. This method develops clarity in decision-making and prepares learners for broader pigment use.

Monochromatic underpainting is introduced as the structural basis for subsequent layers. Students study historical procedures to understand how underpainting organizes value, defines form, and supports the layering process.

Through glazing, scumbling, and controlled opacity, students learn how layered applications of paint create depth, luminosity, and refined transitions. Instruction highlights the optical logic of layered color and the painterly strategies that support cohesion and clarity within the final work.

The Intensive Workshop prioritizes disciplined workflow, analytical seeing, and structural coherence. Across drawing and painting components, students cultivate methods that strengthen accuracy, intention, and control—forming a foundation essential for advanced artistic study.